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In so doing, we seek innovative approaches to the study of queer literary formations that deploy multi-disciplinary analytics including, but not necessarily limited to, critical interpretation and close reading, ethnographic research, first-person accounts of reading practices, materialist histories of print media, and phenomenological accounts of the texture and feel of queer reading and writing, without presuming divisions between these methods. Ironically, the major scholarly texts of queer theory have oftentimes become more popular and widely read than the actual literary products queer theorists analyze. Arguably one of the first of its kind, this issue identified literature as one powerful site where reparative reading practices takes shape. Yet, as lesbian author and cultural critic Sarah Schulman compellingly points out in The Gentrification of the Mind , the mainstream literary world rarely spotlights the work of out LGBTQ writers who develop substantive fiction, poetics, and drama about equally out and actively sexual characters. We seek to ask, what is LGBT literature now? Since then, queer lifeways, politics, and culture have been dramatically shaken by innumerable historical transformations that overdetermine any attempt to map LGBTQ literature by the traditional coordinates of gay shame, the closet, and narratives of gay liberation, and AIDS. We ask for essays that explore how new theoretical interventions in the study of literary history might offer tools for queer theory; at the same time, we seek to develop a dialogue about the value, appeal, and purchase of an identifiable, and ever-growing, LGBTQ literary sphere. Queer theorists have developed numerous conceptual tools for the study of sexuality through engagement with classical and contemporary LGBT literary texts.

Lesbian asa


She and others argued that the act of interpretation itself was a practice through which readers do something ameliorative with texts, making them functional for the flourishing of queer life. We seek papers that can illuminate both the stakes of LGBT literary formation in the contemporary moment, as well the complex relationship that queer theory has to both helping forge, shape, and often, volatilize the very notion of LGBT literature and literary history. We name these historical markers in order to indicate the new conditions under which queer literary production today takes place. How do they unsettle, or force us to rewrite queer literary pasts? Since then, queer lifeways, politics, and culture have been dramatically shaken by innumerable historical transformations that overdetermine any attempt to map LGBTQ literature by the traditional coordinates of gay shame, the closet, and narratives of gay liberation, and AIDS. In so doing, we seek innovative approaches to the study of queer literary formations that deploy multi-disciplinary analytics including, but not necessarily limited to, critical interpretation and close reading, ethnographic research, first-person accounts of reading practices, materialist histories of print media, and phenomenological accounts of the texture and feel of queer reading and writing, without presuming divisions between these methods. How are we reading and writing queer texts? Yet, as lesbian author and cultural critic Sarah Schulman compellingly points out in The Gentrification of the Mind , the mainstream literary world rarely spotlights the work of out LGBTQ writers who develop substantive fiction, poetics, and drama about equally out and actively sexual characters. Arguably one of the first of its kind, this issue identified literature as one powerful site where reparative reading practices takes shape. We seek to ask, what is LGBT literature now? This special issue of GLQ seeks to animate a dialogue about the place, function, and intellectual and political possibilities of LGBT literature now. We seek essays on these possible topics: Ironically, the major scholarly texts of queer theory have oftentimes become more popular and widely read than the actual literary products queer theorists analyze. How have these emergent historical events and forces shaped our reading practices, the texts being produced, and the market conditions under which contemporary queer literature is read, written, and taught? And what kinds of stories, theories, and politics can it produce in the age of queer theorizing? We ask for essays that explore how new theoretical interventions in the study of literary history might offer tools for queer theory; at the same time, we seek to develop a dialogue about the value, appeal, and purchase of an identifiable, and ever-growing, LGBTQ literary sphere. What exactly should queers read now? Even the prodigious scholarship of queer theorists is now recognized by the organization alongside work in fiction, poetry, autobiography, comics and graphic novels. Queer theorists have developed numerous conceptual tools for the study of sexuality through engagement with classical and contemporary LGBT literary texts.

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Tataxe

23.09.2018 at 10:12 pm
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This special issue of GLQ seeks to animate a dialogue about the place, function, and intellectual and political possibilities of LGBT literature now. We seek papers that can illuminate both the stakes of LGBT literary formation in the contemporary moment, as well the complex relationship that queer theory has to both helping forge, shape, and often, volatilize the very notion of LGBT literature and literary history.

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